July 2, 2009 at 8:54 pm (Selma Blair, [] Super Heroes)
HELLBOY II: THE GOLDEN ARMY begs any number of referential mash-ups to be used as description of its outlandish tonal and stylistic qualities. It’s a little like a romantic and sophisticated live-action Ninja Turtles movie imbued with a cracked version of H.P. Lovecraft’s monster storytelling. It’s a feature-length version of STAR WARS’s Mos Eisley Cantina mixed with a scrappy, proficient passion for creature design reminiscent of Ray Harryhausen. It’s also kind of director/co-writer Guillermo del Toro’s HELLBOY (2004) wrapped in a blanket of his PAN’S LABYRINTH. This sequel is all these things, but none of them can accurately capture the singularity of a movie which, in some ways, stands alone in its ability to capture the crass and literary luridness of reading a comic book. It’s filled with gross creatures bursting with humanity, dark poetry, and slapstick comedy; in one scene, an argument between Hellboy and Johann Krauss, a formless gas contained in a mobilized suit, escalates to the point of Tom-&-Jerry-like violence. As Hellboy himself, a heartfelt anti-hero who regularly eliminates supernatural threat as an agent for the U.S. Bureau of Paranormal Research and Defense alongside girlfriend Liz (Selma Blair) and comrade Abe Sapien, Ron Perlman again embodies the role with the kind of pathos and humor that one can only expect from a horned, red-skinned Hell-spawn who loves kittens and acts like a hardboiled detective who happens to watch TV and drink a lot of canned beer. HELLBOY II’s rather interesting antagonist, Prince Nuada, isn’t just an evil dude. In the mold of the complex villains typically found in Hayao Miyazaki’s animated fairy tales, his intentions of restoring control over Earth to an Elvish race by regaining the key to unlock the indestructible Golden Army are at least based on a legitimately noble sentiment before megalomania kicks in.

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July 2, 2009 at 8:50 pm (Selma Blair, [] Super Heroes)
Based on the comic book series by Mike Mignola, Guillermo del Toro’s gleefully eccentric film follows the supernatural adventures of Hellboy (Ron Perlman), a cigar-chomping, horn-filing demonic … Full Descriptionhero enlisted by an occult scholar (John Hurt) to fight evil in the Bureau of Paranormal Research and Defense. Along with the fire-throwing Liz Sherman (Selma Blair) and the amphibious psychic Abe Sapien (Doug Jones, with the voice of David Hyde Pierce), Hellboy is joined by new recruit John Myers (Rupert Evans), a squeaky-clean FBI agent assigned to keep the big red devil’s exploits in check. Things get out of hand, however, when a vicious monster is unleashed by the villainous Rasputin (Karl Roden), leading to events that may set off an apocalyptic nightmare for humanity.

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May 21, 2009 at 2:27 pm (Scarlett Johansson, Selma Blair)
Dennis Quaid is perfectly cast as Dan Foreman, a slightly weary yet still dashing advertising boss and dedicated family man. He seems to have it all as a wholesome and admirable father, an existence which smacks of the archetypical mid-century sitcom dad that he so brilliantly portrayed as the secretly homosexual husband-father in Todd Haynes’ FAR FROM HEAVEN. Enter Carter Duryea (THAT 70s SHOW’s Topher Grace), a cocky young upstart hired to replace him. Before long, Dan is forced to be deferential to his new baby-faced boss, not only in the office but also at his own dinner table when Dan begins dating his lovely daughter Alex (Scarlett Johanssen). This old-fashioned, slightly soap-operatic twist is the perfect catalyst for the integration of humanity into an environment (and cinematic genre) that is so often devoid of it, and the film simultaneously lightens in spirit and deepens in emotion as a slow-yet-sure, father-and-son bond develops between the former adversaries.

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